We're slowly but surely towards the conclusion of a second week of performances of the play Henry IV programmed by Luigi Pirandello in the Theatre du Trident until February 13. I played the title role in a staging by Marie Gignac. This is my third collaboration ( Cyrano de Bergerac and Dirty Hands ) with this extraordinary director, demanding, but extremely grateful when the job is well done. Throughout our collaboration, we managed it and I develop a very effective method of work that uses our respective spontaneity and based on mutual trust unshaken. Again, each of our exchanges found himself inspired by the generosity of others and I believe that this relationship has allowed us once again to bring audiences a whole show and without compromise. The echoes are also very positive.
I played the role of a mature man who is visited by his den of his love of youth, her lover and a psychiatrist from the stethoscope. This man is unique in that the growing reach of folly for the simple reason that lurks in this place for twenty years - in the guise of a Roman Emperor of the eleventh century - to escape the cruelty of a world that surpasses and overwhelms. Having only defenses to a suit of Emperor, the throne and a few extras that lend themselves more or less the game, Henry IV is a nice illustration of the vulnerability of a man who once dropped his guard and who would have ever found. Throughout the play, he understands that defense is unnecessary, as the chick who sees the predator arise in its nest, it sees that its painful to him will lure more and that his insanity as a defense will no longer be of any use. I love this role.
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