Whether you like or not like, we can not pretend that Hedda Gabler is a bad play. I agree, it's a bourgeois drama that has everything to be rébabarbatif. I admit, it depicts a world that we know little, to which it is difficult to identify a company populated by idle people, jealous, envious and falsely concerned. A society in which our heroine plays the spoilsport. But one need only consider the series of gangland in the middle of media-art Montreal in particular following the release of Bye-Bye 2008 to find contemporary references in this national. It is often claimed that Hedda Gabler is a pioneering woman, born at the wrong time, but I would opt instead for the term of fouteuse-of-crap chip as there always had and as there will always . She knows she has an influence over the other, about men and seeks at all costs to enjoy the risk of breaking the lives of others less fortunate it postulants. It is nasty and mean. But I love him so much! Tesman love her so much!
We start at the Bordered, our second week of performances. The reception was very good media, the public seems to be too. I think this is a great opportunity to get in touch with one of the great tragedies of drama up here in its entirety with great attention to authenticity. I would strongly advise you to visit us by February 7.
On the other hand, repeats Asylum purity Claude Gauvreau now begun at the Théâtre du Trident. We can already gold and qualify the proposal for stripping. I will discuss more extensively in a next intervention.
