It makes me feel funny to say, but I think "Money" is one, otherwise the film the most violent of Robert Bresson. Why so funny? For Bresson's art is the same delicacy and violence that explodes in this feature n'heurtera probably not many people. It must be said that before that we need to know to appreciate its value as to whether particular Bresson to be able to grasp the immense subtlety, and sometimes the rough edges of its cinematography. My tone may seem condescending, but it is mainly because I try to warn the reader might be disappointed watching this movie, I speak from experience because I have put a lot of time overcome my fear, even my horror movie that so austere and peculiar. This kind of feature, although it is open to all, is better reserved for a public "seasoned". Nevertheless it is a film of great clarity, a large count: we are miles away from the intellectualization of the 7th art! However, it is somewhat cryptic (enigmatic would be more appropriate) in its various levels of reading, even if one can distinguish quite easily into "Money" Bresson's hostility toward the evolution of the materialist world. The senseless violence of a character at the beginning and innocent caught in the grip of lies that surrounds it is perhaps that of the French artist who, after having spent so much content (although many of his films s reductions prove painful and tortured) tries to wrestle in a final gesture of despair ... This appears to be alone with the world and society haunts the entire filmography of Bresson. And once again he gives us is a work (or test it would prefer that we say) stifling, dark, terrible! While the grace and forgiveness is still possible, but how can they triumph over evil? The property is the only solution, therefore it exists, but as often with Bresson's something immensely fragile. We return to Dostoevsky and "Pickpocket", even if the ending is slightly different ... "Money" is much scarier! [4 / 4]
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