How long did we not seen an expression of cinema as free, so alive, so touching in its desire to tell by all possible means a story? Perhaps since the beginning of Jean Rouch, the French New Wave, ... or even Robert Flaherty! For art Moustapha Alassane surprised by the modesty of his appearance: the "mistakes" are legions of fitting, post-synchronization does not have much of synchronized, the actors are somewhat awkward ... But these are not strictly errors, since for Moustapha Alassane there are no such rules to follow, at least if he makes a point of honor to create works of quality that's not where she resides. The whole point of his films comes from the imagination they display, their sincerity, their simplicity, their poetry, their unexpected wealth and ultimately their inner strength. "The Return of an Adventurer" recounts the return of an African metropolis, her suitcase loaded in cowboy outfits, including loaded revolver. With his friends so he disguises himself, but the game quickly turns sour and quickly became fatal: clans are formed and the battle will be fatal for many young people unconscious. Alassane is fond of these stories, these parables rather seemingly absurd but in reality anything but innocent. How could you not see the metaphor of Africa coating the trappings of Western modernity and its greatest misfortune? Beyond its freshness formal ingenuity of its touching, a film terribly lucid, perfect example of the talent of its author. [2 / 4]
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