New Years Eve 2010 Orlando

What can the literature? Nostalgia

Any literary work worthy of the name can be seen by the actor as a Bible, each page of multiple tracks and concealing evidence that will prove useful or even essential for play.

Not surprisingly, for excellence in acting, must be able to offer human portraits consistent with our contemporaries. To do so, the practitioner must first be able to decode large frames that shape this strange animal. The first tools remain the observation and imitation, but they are rarely sufficient on their own. To access the unconscious and the intangible, to reach beyond the stage of the single copy, the actor must be able to fathom the depths of consciousness, read the invisible, ultimately be able to perform on stage. To do a proper introspection, even solid, not enough. He will dive into line with other thoughts and the best way to do that remains to me, reading.

Reading a book, by the intimacy inherent in the activity, allow the player to experience the author's thought and, if it is well written, seize some of the reflexes that influence the human psyche. This exercise will culminate in a symbiosis, a communion between author and reader. It feel in a way that the author lived while writing emotionally. If it is in a good mood, he will access levels of consciousness that the author himself does not suspect reaching. The actor / reader will use it later for his game

The most challenging and most relevant that comes to mind occurred when reading "My Year in the Bay of Person "the Austrian writer Peter Handke appeared in 1994. I was in training at the Conservatory of Dramatic Arts in Quebec and, caught up in learning the art an actor, I did not suspect that reading this book would provide me the key to many paths that I would eventually have to borrow. The story is simple: a writer's alter-ego of the author, moved to his window overlooking a quiet square in a suburb of Paris and begins to imagine what living in the moment, each of knowledge scattered around the world. We absorb the privacy of this man, pausing to contemplate the visible world, access to the universal and the second following plunges in places fantasized in the footsteps of those he loves. Brilliant.