We just returned from a good portion of the tour. We met with strong public different from those spontaneously grateful and delighted that we moved so far away (Saguenay Sept-Iles) audiences skeptical to learn that a gang of Quebec without known actors (ie remain constant not on TV) had managed to climb without too much concession that monument of what drama Cyrano de Bergerac . Such was the case in Longueuil even though our show - at least in the adult version - me seemed particularly successful.
The two-week break will be good for the whole team. To those who, like me, have two small "moxes" at home and others who maintain active social lives here in Quebec. Finally we will complete our 2008 tour through the dissemination of the show in Ottawa at Wajdi Mouawad, the Centre National des Arts. It promises.
For my part, I continue with so The PSYCHOMATON . The first is next Wednesday. I was told that there remain good tickets and I can not recommend you to come and attend one or another of our performances. This is a very good show, an original creation and crisp.
Otherwise, I finish learning the text Tesman in Hedda Gabler by Henrik Ibsen presented in January at the Theatre Bordered and I started that Donatien Marcassilar Asylum in the purity of Claude Gauvreau, presented at the Théâtre du Trident in March. Two large pieces, very different, two beautiful seemingly intractable problems which I know for the moment all the ins and outs even if repetition of Hedda Gabler are already well under way and that, under the careful direction of Lorraine Côté, we gradually understand all the issues.
Finally, I am very proud of the honor that you gave me last week when he handed me the Paul-Hébert interpretation for the role of Cyrano. After the price of the Théâtre du Trident Subscribers for the same role and the critics' award given to the whole team, I think we were particularly spoiled so far by this incredible adventure.
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