We're in the stretch for the presentation of our new artistic level parking at the Theatre entitled Recognition to be presented in co-production at the Théâtre du Trident from September 22 to October 17, 2009 . After several sessions of improvisation and editing over two years, we have penned by Michael Nadeau, designed a show that is faithful to our company's artistic ambitions, a piece positioning themselves between our most successful beauty company Slowly, whom we borrow the thin atmosphere and humor, and Words ghosts, our other collective creation that is most dramatic of which was inspired Hamlet by Shakespeare in his narrative. For Recognition we take the same anchor that is to say that we use this same work again lighthouse to explore the modern quest for meaning, to be or not be in Quebec for creative today. We hope to enjoy the scene-Octave Crémazie and generous home theater Trident to reach a wide audience.
meantime, I enjoyed myself at Espace Libre in Montreal resumed our Life and Death of King lame Jean-Pierre Ronfard in late August. My character Filippo Ragone said moron is carrying electric cart and speaking with "Yeah!" episodic or a few notes out of his battered tuba suited me perfectly. Otherwise, by observing my playmates, I was really impressed by what time and experience avait accompli sur chacun d'eux et la liberté nouvelle que nous nous sommes octroyée en reprenant cette oeuvre grandiose présentée sur huit heures quatre ans après notre dernière représentation. Comme quoi il n'est pas faux de dire qu'une oeuvre théâtrale a tout intérêt à se déposer en ses interprètes pour atteindre son entière plénitude. Il faut dire que le public qui est venu assister aux spectacles était particulièrement généreux et nous donnait beaucoup de ce dont nous avions besoin. Ce sera un excellent souvenir que ce Roi boiteux. 
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